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Making Movies

For the past 6 months we’ve been in development and pre-production for our Christmas short film. Without giving too much away, the story we’re telling is based on the log line below:

In order to save her job, a skeptical reporter with a mysterious illness is forced to research a story she believes is a hoax, only to discover there maybe a personal connection.

Three weeks ago we began shooting principal photography for the challenging, 15-day shoot.

My boss likes us to always try and operate just slightly above our skill level. He believes this is the place where we do our best work and experience the most growth. With 8 principal characters, 12+ locations, and one scene with 300+ extras and falling snow, I would have to say that I’m smack-dab in the middle of this special space (if not slightly above).

And I’m loving every. single. minute. of. it.

Here are few behind-the-scenes photos from the shoot thus far.

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The Void & Why You Won’t Jump

A few months ago I got an email from a guy named, Michael Neale. It started with some kind remarks and then quickly turned into a pitch. I get a few of these a month. Most don’t interest me. This isn’t to say they aren’t great ideas, it’s just that they aren’t a “fit.”

Michael’s project, however, was quite interesting.

He had written a novel and a rough script for a live version of the story, complete with original music, and needed help crafting the piece. The Wife and I jumped on board and started our work with him.

Last week I found myself in West Palm Beach, Florida taking Michael through the piece. Michael isn’t an actor, he’s a performer, so I was there to help direct his actions and intentions onstage. It was a ball.

We spent the better part of 12 hours together battling through technical difficulties, memorizing lines, emotions, and blocking. As the day wore on, the stress of the impending event loomed over Michael. He had invited close to 2,000 people to come and watch him tell a story that he had written. It was a big-boy version of what many of us awkwardly artistic kids did whenever we had family over for the holidays. Remember those little shows you’d put on? You’d rehearse your lines and then when the time was just right, you’d invite the aunts, uncles, cousins, parents, and grandparents down to the basement to see what you’d been working on all night.

As I watched Michael onstage that afternoon, powering through the exhaustion and anxiety, it became clear to me why we stop inviting our families into the basement to see the things we’ve made, and why most of us stop making things at all:

It’s scary.

The fear is overwhelming and it’s precisely why such little good work gets made, in my opinion.

My best friend just quit his job and can’t sleep. Another good friend moved to a completely new city for love and is terribly depressed. My new project is causing more than its fair share of “what-have-I-gotten-myself-into-this-time?” anxiety.

My point is…jumping ain’t easy.

We know if we quit our jobs, we might not sleep for three months. We know that if we follow our hearts, it might possibly lead to a certain kind of melancholy. We know that if we try and fulfill our visions, we may be plagued with dark clouds questioning our artistry and skill.

Why does this happen?

When we jump into risky endeavors we create space. The space is created, in part, because of the things that needed to be let go of to jump in the first place. This void is ripe for sadness, anxiety, fear, depression, death, and grief.

Sounds terrible doesn’t it?

And yet this is the space I most want to live in and it’s also the space I want you to live as well.

The beauty about this scary space is that if you stay there long enough new life is born.

My friend will find a fulfilling job, I’m sure of it. My other friend will discover what he is to become. I know that my project will teach me things I didn’t know I could do. Michael Neale may very well make a million dollars telling a beautiful story.

And you…you can and will as well, but only if you decide to stare that pesky fear in the face, invite the family back into the basement, and say (quite literally, in fact), “To hell with you! I’m making scary things today!”

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Recovery

A number of friends of mine ran the Chicago marathon last week. One brave soul I know ran 100 miles. For most, the last 10 days have been ones of recovery. Ice baths, 5,000 or so bananas, and gallons of water and protein shakes. All in the name of putting back in what was left on the course.

Late this summer I released my first book. It was indeed a marathon sprinkled with a sprint near the end. I heaved UNTITLED out the door and then spent the next month trying to convince people to read it, blog about it, promote it, like it. By the time August was over, I had left most of my words out on the course, as it were. I was spent. I had pushed my head and heart to their limits and needed a proverbial ice bath myself. That meant no writing and no blogging.

Instead, I read, played with my beautiful daughter, took walks with her along the path outside our place where the leaves were threatening to change, made my first batch of early Fall chili, watched every movie I could, and started a huge new project for work.

I’m an intake person. I need music, words, food, film and friends to be inspired and get filled back up.

Here is a little of what’s been aiding my recovery:

BOOKS
Falling Upward - Richard Rohr
We’re All Weird - Seth Godin
Beauty Will Save The World - Gregory Wolfe
Uncertainty - Jonathan Fields
Let the Great World Spin - Colum McCann
Holy Longing - Ronald Rolheiser

FILMS
Tree of Life
Drive (though quite violent, just FYI)
Ides Of March
Conan O’Brien Can’t Stop
Moneyball

MUSIC
Lia Ices
Barcelona
Brownout
Ben Rector
Jesse Morrow

At any rate, I’m full. I’m back and ready to write again.

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Never Beyond

My good friends over at People Of The Second Chance are launching a new series/art project!

The NEVER BEYOND series will feature 25 posters representing well known historical, current and fictional characters who are believed to have harmed society. Their campaign will consist of digital and print posters and the full collection will eventually be displayed as a touring art exhibit.

Go here to learn more about the project and how you can get involved.

For today’s discussion, answer the following two questions:

  • Who do you think is featured below?
  • Who would you have a hard time giving a second chance?


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On Selling (& Buying) Your Vision

I was asked recently how to get a boss or client to buy in to your new idea.

I’ll start first with how not to.

Don’t pit your idea up against theirs - their way of doing it vs. yours.

This will never work.

When you present your idea within a binary - my way is better than your way - you’ve landed yourself right in the middle of an argument. Not a great place to cast vision if you ask me.

So, then how exactly do you do it?

You must help her imagine something better than both of your ideas.

This isn’t easy, but it’s quite possibly the only way.

You must do the hard work of showing your boss a vision of the future that is elevated above both your ideas.

Don’t tell her how your idea is better. Show her the possibility of a new future by evoking her imagination for what could be.

If you’re casting the new vision the onus is on you to cast well - not for them to understand.

In the end, she may not catch the vision. In the end, nothing you can say will convince her. If that is the case, must you must now decide what kind of risk you’re willing to take.

At some point we have to buy what we’re selling or call the whole thing off anyway.

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I Want Something More From A Meet-Up

I’m a networking kind of chap.

If you’ve been following my twitter feed the last few weeks, the self-promoting, networking side of me has been in full-force.

Did I mention I’m selling a new book!? :-)

As such, conferences are designed for people like me to really enjoy myself.

But lately, I’m tired of it all.

Don’t get me wrong, I love to talk shop like the next guy, but I want something so much more from a meeting of like-minded people.

I participate in a lot of conferences. In fact, I’m creating the opener for one of the biggest in just under a week.

But if there is one conference you go to this year, it’s a scrappy little fellow, trying to create an environment of “so much more.”

It is the STORY conference // September 15th & 16th here in Chicago

I’ve helped to design a few elements the last two years and will be doing so again this year.

So pack your team in the car and ready your bellies for deep dish pizza, italian beef, all-american hot dogs, and for an event that is “so much more.”

What is your least-favorite part about conferences?

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UNTITLED Ships Today!

After many, many months of work, my first book, UNTITLED: Thoughts on the Creative Process, officially releases today!

Buy it now for only $4.99 on Amazon, iTunes, and Barnes & Noble.

It is a tremendous feeling to know that something you’ve been working on alone, huddled with your wife, and in hodgepodge groups via email/edit sessions, is now available for the world to see in all its glory (and with the typos we didn’t catch in time).

The book is a collection of thoughts curated from stacks of notes taken over the last 15 years as I designed t-shirts, made light fixtures, created performance art in alleyways, performed on big and small stages all across the country, acted on network television, and as a creative director at one of the largest churches in North America.

UNTITLED will walk you through the creative process of attacking the blank page, executing vision, believing in the importance of contemplation, fighting the beast of resistance, learning from your failures, and creating beauty from the inside out.

This book is my manifesto and I hope it becomes yours as well.

Also, to clear up any confusion about the format…for now we’re only offering the book in digital format.

I wanted to bypass the big guys and get these ideas in your hands as soon as possible. I’ve partnered with my good friends at Clark and the Creative Collective, who are sponsonring this grand experiment. If you don’t have an e-reader, don’t fret! If you buy from Amazon, you can download their desktop apps here. Same goes for Barnes & Noble, as you can download their desktop apps here.

Now before you run off to buy a case load of e-books, check out a little video we made of me blabbering on with excitement about today’s release and read what others are saying about the book!

WHAT OTHERS ARE SAYING

“I have had the pleasure of working closely with artists for almost four decades. Blaine Hogan is one of the most thoughtful, spiritual and hard working creatives I have had the privilege of teaming up with. This short primer is bulging with values and ideas that will make every serious minded artist better.”
- Bill Hybels, Senior Pastor at Willow Creek Community Church

“UNTITLED is a full body workout. By the last page my neck was sore from repeated nods of agreement and my hand was cramped from furious note taking. Hogan speaks with unflinching honesty about the harsh demands of the creative process. His brilliance lies not only in his practical inventory of the daily disciplines required to hone your craft, but in his courage to speak to the daunting inner journey the creative must make en route to artistic excellence as well. Highly recommended!”
- Ian Morgan Cron, speaker and author of Jesus, My Father, the CIA, and Me: A Memoir of Sorts and Chasing Francis: A Pilgrim’s Tale.  www.iancron.com

“Blaine Hogan layers depth and pointedness, observation and aspiration into each essay. His practical contemplation of the creative process provides an effective mirror for anyone wanting to do brilliant work.”
- Todd Henry, author of The Accidental Creative

“If you read this book, be warned. The genius and art locked inside you will be shipped. Blaine has an innate, uncanny understanding of the creative process and his manifesto UNTITLED outlines it perfectly.”
- Clay Herbert, Chief Engagement Officer of Tribes Win

“I know why Blaine Hogan named his collection UNTITLED. It’s because the title, ‘You Have To Read This Book If You’re A Creative, Want To Be A Creative, Or Know Anyone Who Wants To Be A Creative,’ wouldn’t fit on the jacket!”
- Erin Loechner, Writer & Founder of designformankind.com

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My Personal Creative Process

A few days ago, blogger Darrell Vesterfelt of This Is Me Thinking, invited me to participate in a one-day blog series on the personal creative process, which can be found here:

As I sat down to write, I realized that I had put so much of those thoughts already into my upcoming book. Below is an excerpt from the book (and something veteran readers of this blog may recognize) on how I cultivate my ideas on a daily basis. I hope you find it useful!

How do you get your ideas?

I get that question a lot and I usually respond by asking the question back.

Well…you tell me…where do you get yours?

They always have an answer.

Walking on the beach. Reading a book. Flirting. Long hot showers. Observing what’s around me. Cliff-hanging. Solitude. Stealing. Doing the dishes. Reading magazines written for people different from me. Looking at random photographs, half-lit rooms, conversations with strangers.

In one of my absolutely favorite books on the creative process, The Creative Habit, dance legend and my personal hero, Twyla Tharp, puts most of these actions in a category she calls “scratching.”

Scratching is an act best done as a routine, designed to gather and collect small ideas to be used at a later date.

Personally, it is one of my favorite things to do. Whether it is in my iTunes library or a museum. I love to wander, look, hunt, and gather.

Here’s what it looks like for me:

While I work in many different mediums (video, live performances, church services) I tend to almost always get my initial inspiration from music, so I’ll usually start scratching there.

I’ll put about five or six songs from my eclectic mix on repeat, crank the volume, and with pencil in hand, wait to see what comes.

When I do this I’m not necessarily looking for big ideas, I’m just cataloging things I see or how I feel. As thoughts come, I write them down. As songs inspire me, I put them in “mood playlists” or “scratching piles” in my iTunes library.

I do this at least once or twice a week.

Again, the point of the exercise is not to create full-fledged ideas, but to keep my brain fresh and filled with words, ideas, colors, thoughts. I have found that these little bits have saved me when asked if I have “anything else.”

As you can imagine, this practice works in many different ways for many different people. For me it’s listening to music, for you it might be simply stopping, sitting, and giving your head some space to be free for a spell.

My friend Carlos, for example, sets his alarm on his phone to go off randomly a few times every day. When the alarm goes off, he stops everything he’s doing and forces himself to write down one idea. It might be a quick poetic phrase about the color of the building he’s in or maybe just a lyric of the song that’s playing in the coffee shop.

There is no right or wrong way to do it. But, if it’s ideas you want, it simply must be done.

While this wandering may seem like little more than daydreaming, scratching is an absolutely necessary part of making anything.

In fact, as I said, I am of the opinion that these small, routine moments of seemingly meaningless gathering when no one is looking have the potential to save you when everyone has their eyes on you.

Let me give you a specific example:

I had opened my mouth in a creative meeting and shared a big idea for a performance art piece for a worldwide leadership conference called, The Global Leadership Summit.

Think TED for Christians.

It required flexing muscles that I hadn’t used in a number of years and a lot of work I wasn’t sure I could bring myself to do.

A few weeks later I was informed the team had decided to go with my idea over a handful of others.

Gulp. What had I done?

I was given a due date and with that I was out the door.

Weeks later. Nothing came. And I mean nothing

I simply could not bring myself to sit down and attempt to develop the basic idea, which now had to be transformed into something real.

Every time I tried to write, the idea overwhelmed me.

I didn’t know where to begin.

I had a big idea but nothing to support it.

Or so I thought…

The morning of the day I had to present my new draft (the one I hadn’t written yet), I sat down and finally forced myself to write.

I forgot about the bigness of the idea and instead looked for something manageable.
I decided to start with a scratching pile in my iTunes that I had made a few months earlier.

Slowly I played one song after another, remembering the feelings and visions I had when I first heard them.

As I let those small scratches wash over me, the big idea began to take shape.

The disjointed ideas began to connect to one another and before I knew it I had some direction.

Here was the end result:

I had never been more thankful for my scratching pile than I was in that moment.

It saved me.

I could have never known that when I tagged those songs seven months ago they would be used for this project.

In fact, I shudder to think where I would be had I not been diligent enough to catalog those tiny little thoughts.

Scratch when you don’t itch.

Capture and catalog whatever comes.

Make it part of your weekly routine and stick to it.

I was telling a friend my idea of scratching and how I thought the creative process of getting ideas was more than anything about hard work.

He agreed but named a few times where it seemed like ideas just came to him or had been somehow given.

I believe things like this happen and when they do they are an act of God.

However, I don’t believe they happen without a person who is available.

When I’m scratching, I’m doing the hard work of listening so that when the flash of the idea comes I can actually hear it.

I’m practicing the discipline of making my heart available to God so that when He does speak (and He always does eventually), I will be able to discern it, capture it, then create it.

This is my personal creative process and I hope you find it helpful.

Now, you tell me…

What does your creative process look like?

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The Thing About “Creativity”

During an interview today I was asked what I thought about the word, “creativity.”

I’ve been working in a church now for 3 years (my previous were in the secular art world) and I have to say…I’m still getting used to the word, “creativity,” being used as a noun.

As if it were a thing that you could have and/or hold.

In answer to my friend’s question I said this:

“I like to think of creativity more as a “way” than anything else - an “alternative way of being or thinking.”

When I hear that we need more “creativity in the church,” I actually hear, “we need more ways of thinking in the church.”

If that’s what you mean, I’m all ears. But if we’re actually saying we need more “art,” then let’s just say that.

Of course I’m up for both, but if I’m really honest, I’d rather have more alternative ways of thinking than more painters on stage.

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It’s Official!

On July 27th, exactly 30 days from today (if my math is correct), my first book will be released.

UNTITLED: Thoughts on the Creative Process

I’ve mentioned before my ambivalence between terror and excitement in regards to the book, but today the scale tips more towards excitement. I’m excited to share with you a project I’ve been curating for the last year from ultimately 10+ years of daily notes on the creative process as an actor and creative director.

When I was approached by Clark (the sponsors of the book) to write something, I immediately thought of this blog. Why write a book when I can just keep writing here?

And then I read this from Seth Godin:

A book is a container for an idea.

The web isn’t/can’t be a book because it has no edges, no start, no finish. Crowdsourcing and comments and multimedia to infinity all take away something about a book’s nature. On the other hand, a book on the Kindle is clearly a book. Paper has nothing to do with it.

I was convinced and got back to work.

UNTITLED is my container for the following idea:

It is the artist’s job to accept that the work will be very, very hard; to understand the importance of deep reflection and fight the forces of fear and resistance, all in the name of filling blank pages and creating beauty.

The first version of the book will in fact be electronic and available at 30+ e-bookstores including Amazon and iTunes. It is intentionally short - about 16,000 words, so under 60 pages (I think). It is something you can read on a plane and something I hope you return to often.

It is my first manifesto and I can’t wait for you to read it.

Have a look at the cover below and what people are saying about it:

“Blaine Hogan layers depth and pointedness, observation and aspiration into each essay. His practical contemplation of the creative process provides an effective mirror for anyone wanting to do brilliant work.” - Todd Henry, author of The Accidental Creative

“If you read this book, be warned. The genius and art locked inside you will be shipped. Blaine has an innate, uncanny understanding of the creative process and his manifesto UNTITLED outlines it perfectly.” - Clay Herbert, Chief Engagement Officer of Tribes Win

“I know why Blaine Hogan named his collection Untitled. It’s because the title, You Have To Read This Book If You’re A Creative, Want To Be A Creative, Or Know Anyone Who Wants To Be A Creative, wouldn’t fit on the jacket!” - Erin Loechner, Writer & Founder of designformankind.com

Cover design by Zach McNair

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